Upgrade Available reads like a carefully curated exhibition, drawing from interviews, art, archives, and cultural theory. Broken into four sections, Christensen pushes the questions of inevitability and ephemerality of material technology in nuanced, careful, and curious ways. Christensen’s sculptural installation Burnout, for example, is a series of video projectors lit by old “non-working” iPhones — it illuminates, as it were, the “afterlives” of discarded cell phones. The variety of media she offers audiences to unpack this deep, complex theme guarantees a new way of thinking about the upgrade phenomenon.
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